2023
2023
2023
2023
2023
2023
2019
2019
2019
2019
2019
2017
2017
2017
2017
2017
2017
2017
2017
2017
COSTUME
ECLIPSIS AEMULOR LACRIMIS HEADPIECE
BUZZNAP OF BLIBLIJÖN HEADPIECE
Eclipsis Æmulor Lacrimis Headpiece, completed in 2023 and used in North American dates from 2023 to 2024. This piece features the triple transit eclipse and was designed in Rhino3D and ZBrush, then printed using FDM and DLP technologies, with integrated electronics throughout the structure.
The headpiece mounts and integrates with the latest Animatronic V4 and Suit V4, further enhancing the LEDs with high – wattage lights positioned behind the top moon. The parts were either left as raw prints or finished in matte and metallic paints.
​​​​​
This headpiece was originally intended to be completed for the 2019 tour as part of the Black Thankletiné costume but wasn't finished in time. It was designed to feature the Datura flower and a serpent.
The piece was to be finished in 3D – printed resin and was designed in Rhino3D and Zbrush in 2019.
​​​​​
BLACK THANKLETINÉ COSTUME
Black Thankletiné was inspired by a black variant of the Datura plant found along the riverbanks of Reecard Farché’s hometown. Designed and constructed by Farché, the piece was featured in only a handful of shows across North America in 2019.
The costume was created using Rhino3D, combining fabric with 3D – printed elements and an aluminium internal structure. It was designed to complement the full redesign of Reecard Farché’s Suit V3. The final look also included a modification to the Vril Headpiece, taking the form of a Serpent.
​​​​​
VRIL É ON HEADPIECE
2016
2016
2016
2016
2016
2016
2016
This was the first 3D – printed object I created for Anklepants, designed in 2015 and printed in 2016. The headpiece was printed on my first Prusa clone, then sanded, filled, and finished with automotive paint.
The Vril Headpiece featured the Vril symbol and hanging 'Uranium Cubes,' each containing internal LEDs. These LEDs not only provided aesthetic refraction but also served functional roles within the instrument system. They acted as feedback from various input elements, lighting up to indicate musical — timing cues, or to notify Reecard of specific modes or system states.
2016
2016
SHOULDER COSTUME SUIT BY RUI LEONARDES &
REECARD FARCHE COSTUME
2012
2012
2012
2012
2012
2012
Finished in wool in 2010 by designer and close collaborator/Friend Rui Leonardes, this piece began as a sketch by Reecard Farché, initially inspired by Australian convict attire but quickly evolving into something more devine.
Rui patterned, crafted the jacket and high-waisted trousers, while Reecard focused on shaping the shoulder forms. The suit’s standout feature was the integration of electronics from Reecard's Suit V1, woven into the lining, creating an interactive element, It was used in several shows, but the combination of the wool fabric, the suit's tight fit, and the heat of the stage — along with Reecard's significant increase in size, it became impractical to continue using it on stage.
thanks
the commissions
please contact
